Talk to Me (2022) Review

It’s All Hallows’ Eve and what better time is there to explore one of the most talked about (no pun intended) horror movies of 2023 – Talk to Me.

Directed by the Philippou brothers, Danny and Michael, this film, fresh out of Australia, had tongues wagging at the Adelaide Film Festival before making its way to worldwide audiences. Now, it’s our turn to dissect it, in a style reminiscent of “elevated horror” that has become increasingly popular over the years. After approaching this film blind with only the social media buzz to suggest it was ‘better than average’, it was great to find a new film with lots to offer.

Talk to Me is no ordinary horror film, though some elements border on generic – superficially at least. It revolves around a group of teenagers who stumble upon a mysterious embalmed hand that serves as a conduit for spirits to possess the living. But as is so often the case, things take a dark and twisted turn as they push the boundaries of their newfound paranormal abilities. And right off the bat, it’s clear to the audience that this film doesn’t hold back on the gore and unsettling imagery, establishing itself as a contender in the horror genre.

One thing that stands out is the film’s remarkable use of practical effects and sound design. The Philippou brothers deliver a visceral experience, making the most of the grotesque and grotesque-inducing moments. It’s an ode to classic horror tropes with a modern twist. The film embraces old-school horror techniques such as wily camera movements and practical effects, rather than relying on cheap jump scares. This approach pays off, creating an atmosphere of dread that lingers long after the film ends. Violence is raw, apparitions are hideous and scares are plentiful.

The story takes a central theme of trauma and grief and weaves it into the horror narrative, a theme seen before in many films – the idea that personal tragedy opens the door to otherworldly horrors. In this case, it’s Mia’s grief over her mother’s death, and her desperate attempts to reconnect with her through the supernatural. The use of trauma as a driving force for the horror might be a well-trodden path, but it’s effective nonetheless.

The young cast, led by Sophie Wilde, delivers commendable performances. Wilde, in particular, stands out as Mia. Her portrayal of a teenager grappling with grief and her desire to reconnect with her deceased mother is emotionally moving and serves as a convincing drive for her risk-taking. The supporting cast, including Alexandra Jensen and Joe Bird, add depth to the story with compelling portrayals of their respective characters. Their portrayal of teenagers caught up in something beyond their control is both relatable and harrowing.

However, the film’s thematic richness and tension gradually lose momentum in its later parts. The internal logic of the spirits’ possessions seems to fray, and the narrative becomes somewhat convoluted. It’s a common pitfall in horror, where the surreal elements can sometimes overpower the storytelling. This dip in coherence is unfortunate because the movie was riding high on its practical effects and atmospheric horror.

One of the film’s more intriguing elements is the visual allegory for teen identity that occurs during the seances. The spirits’ possessions lead to a reckoning with each character’s sense of self, touching on issues of identity, be it racial or sexual. These aspects add layers to the story, turning it into more than just a supernatural thriller.

In the final act, the film introduces a twist that provides a genuinely affecting emotional climax. It’s a testament to the Philippou brothers’ storytelling abilities that they can deliver an emotional gut punch amid the chaos and horror. This poignant moment showcases the potential for the genre to be more than just cheap scares and bloodshed.

Talk to Me does have minor flaws, including some narrative convolution in the latter part of the film. But, it’s undoubtedly a strong entry into the realm of modern horror, delivering visceral thrills, practical effects, and a fresh approach to classic horror techniques. In a genre cluttered with disposable and forgettable entries, Talk to Me is certainly memorable, if not haunting, and that’s no small feat.

As we look back at the countless horror films that have graced our screens this year, Talk to Me will stand as a reminder that when horror filmmakers get creative and put storytelling first, we can still find a flick that leaves us with lingering chills and a sense that we’ve witnessed something more than a mere fright fest. If you’re still not sure what to watch this All Hallows’ Eve, look no further – you won’t be disappointed.

Movie Rating:

Talk to Me trailer