Saltburn (2023) Review

Emerald Fennell’s Saltburn is a mesmerising cocktail of psychological thriller and black comedy, a wickedly dark exploration of obsession, wealth, and decadence. Set against the backdrop of Oxford University and a grand English estate, it’s a film that takes the audience on a twisted journey through the lives of the upper crust. Saltburn has been well received and gained a fast following of ardent fans – all of them hooked on this captivating and unsettling cinematic experience.

The story centers on Oliver Quick (Barry Keoghan), a scholarship student at Oxford who feels like an outsider in the world of the wealthy and privileged. His life takes a sharp turn when he befriends Felix Catton (Jacob Elordi), a charismatic and wealthy fellow student who has a high social standing at the institution. Felix is a social magnet attracting rich and beautiful students from all directions and Oliver’s fixation on Felix grows as he becomes entangled with the enigmatic Catton family during a summer at their eccentric estate, Saltburn.

Fennell’s narrative expertly weaves themes of desire, deception, and toxic obsession. The film’s dark, erotic undertones add layers of discomfort and intrigue, as Oliver’s infatuation with Felix leads to shocking and boundary-pushing moments. And it is these moments that have helped catapult into popularity, the sensational nature of it almost eclipsing the the fact that, without the uncomfortable scenes, the film is still strong and expertly executed.

The cast delivers standout performances, and it’s hard to pick favourites, though Keoghan’s portrayal of Oliver is particularly noteworthy. His ability to transform his character from an awkward outsider to a master manipulator is both impressive and disturbing. Jacob Elordi’s portrayal of Felix is captivating, exuding charisma and complexity. The supporting cast, including Rosamund Pike and Richard E. Grant, adds depth to the narrative with their compelling performances.

The film’s visuals are striking, thanks to Linus Sandgren’s cinematography. Fennell’s directorial choices, while occasionally veering into gimmickry (does a film set in the 90’s need to be shot in the old 4:3 aspect ratio?!), contribute to the film’s unique and memorable atmosphere. The soundtrack, featuring carefully chosen pop songs, complements the nostalgic visuals. On the whole, the film feels complete and perfectly proportioned in terms of pace, style and impact. It’s certainly no surprise that it has earned such critical acclaim.

But despite its strengths, Saltburn isn’t without its shortcomings. The plot’s inevitability and the film’s occasional over-explanation in the closing scenes can be seen as drawbacks. Additionally, the film’s shocking and explicit moments may not be suitable for all viewers. Some might even feel that too much value is placed on the more wince-inducing moments, and that could be a fault of the press as much as the actual production.

This not a film for the faint of heart. Fennell’s unapologetic approach to storytelling pushes boundaries and challenges the audience’s comfort zone. The film’s explicit moments and dark themes may unsettle some viewers, but they are integral to the narrative’s exploration of obsession and privilege.

In Saltburn, Fennell tackles the complexity of human desire and the dark allure of privilege with unflinching precision. The film invites the viewer to explore the depths of obsession and the destructive power it wields. As we delve deeper into the lives of Oliver and the enigmatic Catton family, the boundaries between reality and madness blur, leaving us questioning the very nature of our desires.

Saltburn is a daring and audacious exploration of obsession and the dark side of privilege. While it may not be everyone’s cup of tea, those willing to embark on this bewitching journey will be rewarded with a cinematic experience (and soundtrack) that lingers. Fennell’s second directorial outing solidifies her reputation as a filmmaker unafraid to delve into the darkest corners of the human psyche.

Movie Rating:

Saltburn trailer