British Independent Film Awards | Love Horror film reviews and news

The British Independent Film Awards (BIFA) have unveiled their 2025 nominees, setting the stage for one of the most competitive seasons the ceremony has seen in years. Announced in London by Ben Hardy and Saura Lightfoot-Leon, this year’s line-up reflects a surge of new voices, a wave of ambitious first features and a slate of performances that have resonated widely across the industry. Topping the nominations is My Father’s Shadow, the debut feature from brothers Akinola and Wale Davies, which secured an impressive twelve nods. The film, a multigenerational drama exploring family, legacy and a pivotal moment in Nigerian history, is recognised across major categories including Best British Independent Film, Best Director and Best Screenplay. Its strong craft presence signals the depth of support behind it, with nominations in cinematography, editing, sound and production design highlighting the film’s meticulous construction. Close behind is Harry Lighton’s Pillion, which gathered ten nominations. The film tracks the intense highs and lows of a blossoming relationship between two men and has earned Lighton recognition both as director and writer. Harry Melling and Alexander Skarsgård appear in the acting categories, underscoring the film’s emotional pull. Lighton, already known for the acclaimed short Wren Boys, now finds himself positioned as one of Britain’s most promising new filmmakers. Kirk Jones’ I Swear, a portrait of Tourette’s campaigner John Davison, follows with nine nominations, including recognition for lead actor Robert Aramayo and supporting roles from Maxine Peake, Peter Mullan and newcomer Scott Ellis Watson. Lynne Ramsay’s Die My Love continues the director’s long-standing association with BIFA, earning eight nominations including Best Director and Best Lead Performance for Jennifer Lawrence, whose intense turn has already attracted significant attention. Another standout of the announcement is the recognition for Warfare, Alex Garland’s Navy SEAL drama, which receives the Best Ensemble Performance Award. The film’s cast includes D’Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis and Joseph Quinn, and also picks up six craft nominations. Garland’s visceral approach positions the film as a formidable presence among this year’s contenders. Elsewhere, Harris Dickinson’s Urchin, a gritty portrait of life on London’s edges, earned six nominations, including Best British Independent Film and recognition for Dickinson in the Douglas Hickox Award category for debut directors. The Ballad of Wallis Island secured Best Film, Screenplay and Joint Lead Performance nominations, while Wasteman, Dragonfly and Brides all made strong showings across performance and debut categories. This year also marks the launch of BIFA’s first-ever Cinema of the Year award, voted for by the public. The shortlisted venues represent a broad geographical spread, including Depot Cinema (Lewes), The Magic Lantern Cinema (Tywyn), Montrose Playhouse (Scotland), Belfast’s Queen’s Film Theatre and Bristol’s Watershed. With more than 100,000 audience votes cast, the category highlights the enduring community importance of independent cinemas amid an evolving exhibition landscape. Documentary filmmaking features prominently, with titles such as Mother Vera, A Want in Her and Motherboard securing spots across both documentary and craft fields. The Raindance Maverick Award continues to spotlight boundary-pushing work, while the short film category showcases fresh creative voices across animation, experimental filmmaking and social realism. The 2025 ceremony will take place at London’s Roundhouse on Sunday 30 November, where winners across all categories will be revealed, including the upcoming recipient of the prestigious Richard Harris Award. For more information on the awards, visit: bifa.film/

Tags :British Independent Film Awards

Indie Heavyweights Clash for Glory in BIFA’s Biggest Year Yet

‘Sorority Row’ Finally Makes the Jump to 4K With a Killer SteelBook

Interview: Spider One and Krsy Fox on ‘Big Baby’

‘Nervous’ Teaser Reveals a Silent Nightmare Ahead of World Premiere

Neon Noir ‘Hy3na’ Set for London World Premiere

‘Goody Goody’ Joins Packed September of Demons, Killers and Cult Horror on Shudder

‘Sorority Row’ Finally Makes the Jump to 4K With a Killer SteelBook

Interview: Spider One and Krsy Fox on ‘Big Baby’

‘Nervous’ Teaser Reveals a Silent Nightmare Ahead of World Premiere

Neon Noir ‘Hy3na’ Set for London World Premiere

‘Goody Goody’ Joins Packed September of Demons, Killers and Cult Horror on Shudder

Halloween (1978) Review

The Texas Chainsaw Massacre (1974) Review

The Exorcist (1973)

28 Days Later (2002) Review

Scream (1996) Review