On 23rd Sept 2010 Simon Rumley’s RED WHITE & BLUE is set to be released theatrically in the United States – plus simultaneously screened at FantasticFest and made available nationwide via video-on-demand.
One of the hits of this year’s Film4 FrightFest (see our coverage here) Rumley’s red-hot, hard-edged psycho-sexual thriller RED WHITE & BLUE, which has garnered rave reviews, will be shown in movie theatres across North America from Sept 23, including Austin (Texas), Houston, New York, LA and Philadelphia. At the same time, in a deal brokered by distributor IFC Films in partnership with FantasticFest, it will also be available in over 40 million homes via VOD on the same day it receives its screening at Fantastic Fest (23 Sept).
Simon Rumley commented, “FantasticFest’s a very important festival for me since it was where my last film The Living and The Dead won its first bunch of awards. Ever since I’ve have loved Austin – so much so that I went there to shoot Red White & Blue. It was a truly superb experience to be able to continue my relationship with FantasticFest in this way. Moreover, I know that screening the film through IFC, who have championed some of the most exciting films of recent years, will allow it to reach what I hope will be an appreciative and large audience.”
The deal for RED WHITE & BLUE was negotiated by IFC Films SVP of Acquisitions and Productions Arianna Bocco and Travis Stevens of Celluloid Nightmares.
RED WHITE & BLUE stars Amanda, Noah Taylor & Marc Senter. Taut and uncompromising, it has already been compared to the works of such disparate filmmakers as Michael Haneke and Sam Peckinpah. The film, which had its world premiere in January 2010 at Rotterdam, was directed by Siom Rumley and produced by Rumley and Bob Portal, and executive produced by Tim League, Judy Lipsey, Doug Abbott, and Adam Goldworm. It is the first film from Celluloid Nightmares, a new partnership between Paris-based Celluloid Dreams and Los Angeles-based XYZ Films.
“Rumley is one of the most important and intelligent British filmmakers working today – and Red White & Blue finds real, harrowing, politically resonant horror in places where no-one else is looking” (Anton Bitel, Empire Online)