When 30 Days of Night was released back in 2007 there was a distinct possibility that it would herald a new trend of vampires in art and boost the popularity of the once notorious monster – then somewhat Read More
Frozen has clearly been made with good intentions, writer/Director Adam Green having chosen to work entirely with practical effects in a ‘real’ environment and plonking its cast in a very believable and hopeless situation.Read More
Trash Humpers opens with three deranged pensioners humping, groping and fellating garbage cans and foliage alike. Through the grim mirk of VHS static these characters are lent a nightmare quality that is only amplified by Read More
Following a misguided sojourn into Horror-Comedy with 2008s The Cottage, Paul Andrew Williams returns to more serious material in Cherry Tree Lane.Read More
Saw, in all its iterations, is shallower than a pygmy’s grave. Its cartoon implementation of violence is a one note, pornographic system that thinly veils its indulgent nature behind a feeble discussion of animal Read More
Goemon, the titular hero, begins the movie wearing an ivy patterned scarlet robe. He moves with cartoonish limber, refusing to kill where he does not need to and silhouettes himself histrionically in front of a Read More